Nabil Elderkin has told his origin story so many times, but on the phone from L.A. he gracefully relays it again for Filmmaker readers: “I was born in Chicago and moved to Australia when I was three, ...
Has there ever been a good time to launch an independent film distribution company? Maybe not, admits Danielle DiGiacomo, former executive at Utopia and The Orchard, and one of the partners at a new ...
Has there ever been a good time to launch an independent film distribution company? Maybe not, admits Danielle DiGiacomo, former executive at Utopia and The Orchard, and one of the partners at a new ...
Like the internet lore for which it is named, Backrooms (2026) encapsulates a paradox of embodiment and time. Kane Parsons’s feature film—an adaptation of his cult YouTube series of the same title—has ...
Like the internet lore for which it is named, Backrooms (2026) encapsulates a paradox of embodiment and time. Kane Parsons’s feature film—an adaptation of his cult YouTube series of the same title—has ...
“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...
A lo-fi sci-fi road trip film that reaffirms the magic of discordant personalities finding harmony, director Brian Tetsuro Ivie’s Anima is at once earthy and spiritual. It focuses on Beck (Sydney ...
“NAB has always been the broadcast show,” Paul Hawxhurst, senior technical specialist at Canon USA, told me at the show this year. “For a little while there, it was cinema, cinema, cinema. Right now, ...
Before the Berlinale announced its official selection, it presented a remarkable retrospective entitled Lost in the 90s. Spanning wide geographies, with particular emphasis on narratives surrounding ...
Before the Berlinale announced its official selection, it presented a remarkable retrospective entitled Lost in the 90s. Spanning wide geographies, with particular emphasis on narratives surrounding ...
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