Chinese director Zhang Yimou, whose epic martial-arts adventure Hero (2002) broke through to a mass audience in the U.S. last summer, returns with this small but visually grand drama set during the ...
Like his Hero and House of Flying Daggers, Zhang Yimou’s third global-market gigaproduction makes little sense in narrative terms even after two screenings, but the sets, costumes, and cinematography ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results