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Through a donkey’s large and expressive eyes, “Eo” shows us the beauty of the world and the cruelty of humanity. If the wordless title character can’t understand the latter, neither can ...
In one of the most astonishing sequences in “EO,” a rapturous hymn to the natural world from the 84-year-old Polish director Jerzy Skolimowski, a wandering donkey gets lost in a forest ...
EO, the donkey who shares a name with the film, sprints from the farm where he is stabled into the woods, a scene that signals his crossing over from culture to nature. Sideshow and Janus Films ...
Jerzy Skolimowski's thrillingly imaginative new film, EO, follows a former circus donkey on a journey across modern Europe. It's a strange, haunting epic that couldn't feel more of our moment.
In one of the most astonishing sequences in “EO,” a rapturous hymn to the natural world from the 84-year-old Polish director Jerzy Skolimowski, a wandering donkey gets lost in a forest ...
But “EO” doesn’t sit back and observe its protagonist — instead, Skolimowski uses drones, effects and a jarring sound design to put viewers in the donkey’s head.
Gorgeously filmed, experimental in style, and incredibly humanistic, "EO," recounts the experiences of the titular donkey — frequently from the animal's point of view. The film is Polish ...
Skolimowski, by contrast, consistently emphasizes the animality of EO and, by extension, the donkey’s essential un-knowableness and mystery.
Cinematographer Michal Dymek discusses the technical choices that helped create a donkey's perspective in Jerzy Skolimowski's "Eo." ...
Scott Simon talks to Polish film director Jerzy Skolimowski about his new film "EO", the story of a donkey once it leaves the circus.
In one of the most astonishing sequences in “EO,” a rapturous hymn to the natural world from the 84-year-old Polish director Jerzy Skolimowski, a wandering donkey gets lost in a forest ...
Scott Simon talks to Polish film director Jerzy Skolimowski about his new film "EO", the story of a donkey once it leaves the circus.